how to be in time with timeArt can guide our society towards a regenerative view of life, and bring us closer to the instinctive life force and physical energies that are part of our universal experience. The artist can direct their energies towards a re-souling of art, where integral values are based on real communication, between self and environment, between humanity and the ecosystem.
le pouvoir du peupleRedonner le pouvoir aux citoyens pour une réelle démocratie. La sève remonte toujours des racines vers la cime…
a green oasis in an industrial settingKeeping this green oasis is essential to the Mile End’s environmental equilibrium, which is mostly composed of brick, asphalt, and cement.
la guilde de permaculture de montréalLa Guilde de Permaculture de Montréal est un groupe actif de passionéEs dévoués à l’apprentissage, au développement et à la pratique de modes de vie écologiquement et socialement durables inspirés par la permaculture.
montreal permaculture guildThe Montreal Permaculture Guild is an active group dedicated to learning about, promoting and practicing sustainable living, inspired by Permaculture principles, in and around Montreal.
a theory of weeds as catalysts for social changeAs with most things, weeds have names and when you put a name to a face it adds a layer or two of recognition and understanding that wasn’t there before. And like getting to know a new human in your life, learning the name is just the starting point.
five plantsIn a magical and geeky kind-of-way, it’s interesting to me that when soil is disturbed there are certain particular plants that always tend to grow. Further, they are most often called weeds and thought of as BAD when they are more accurately edible and highly nutritious. Stellar, yes?
hattie carthan community gardenIn the mid-90’s the garden was targeted to become a local police site and the gardeners worked with local politicians and local residents to rally and distribute petitions which halted the sale of the property.
la exposición del pacto roerichDe Moscou à Madrid, en passant par Montréal… le Pacte Roerich est international! Invitation espagnole provenant de Madrid pour les 75 ans du Pacte Roerich.
faire de la ville un jardin: jardinier par jardinierEnsemencer l’idée d’une île verte, cultiver l’espoir de transformer les citoyens en jardiniers, les toits en jardins, et en récolter les fruits.
when water falls on a natural landscape, it does many thingsWater in its natural state works hard at keeping everyone and every it alive and well. It drives the most fundamental cycles of life, and is the backbone of biodiversity…
terrain vague as materialAt the crossroads of many, often contradictory trains of thought, jostled by the accelerated pace of change in modern society, the urban environment evolves along lines that are increasingly difficult to read. In this volatile context, a renewed interest in the ‘terrain vague’ has become apparent in the last fifteen years or so. Post-industrial urbanization [...]
la gare devenue champs“Pour savoir où l’on va, il faut savoir d’où l’on vient”… Alors, quel est donc l’histoire du terrain aujourd’hui occupé par le jardin, longtemps rattachée à celle du Canadian Pacific ?
mon champVoir ce qui se passait sous ce béton avant que nous soyons ici et quand nous serons partis…
côté cour côté voisins“À vos pelles, prêts, creusez…!” ou de l’importance du bon voisinage pour construire un lieu vert pour tous…
to go into soil…It’s the story, the biography of the field beneath my feet…English settlers imposed their acres on a land that before they arrived had flowed from sea to sea, joyfully free of measurement. (…) The acre’s residents; plants, trees and animals are familiar miracles but while their story unfolds above ground, there is another running concurrently, [...]
marking territoryNo piece of land knows which flag it is flying or the nation that flag represents. Putting name flags on soil is a matter of convenience, so we can find one another, and state where we are from. Place names, sprayed on maps, street corners and garden gates, like graffiti, lets history know who has [...]
le mile end en chantier: les citoyens s’expriment!Ce texte constitue un résumé du document présenté à la suite de la démarche citoyenne qui a conduit au Forum citoyen du 26 avril 2009.
transition montréal : un champ de possiblesQu’entend-on par l’appellation “ville en transition”? Montréal peut-elle être considérée comme telle? La conjoncture actuelle impose un ajustement auquel la permaculture offre quelques réponses…
le carmel de montréalLes voisins du Roerich: le Carmel de Montréal. Son histoire, son avènement au Canada, à Montréal et ce qu’il est devenu aujourd’hui.
le terrain vague comme matériau Le terrain vague est un espace offert aux appropriations créatives spontanées et aux pratiques informelles qui trouvent difficilement leur place dans des espaces publics de plus en plus assujettis à la logique du commerce, le terrain vague est ici le lieu propice à l’émergence d’une certaine résistance, un espace potentiellement ouvert à des modalités alternatives de vivre la ville.
my fieldI pray here, watch the change of seasons, draw, read, write, and practice dance and voice. For the past 18 years this has been my daily or weekly path. After nights of insomnia I would come and sleep on the ground to let the earth absorb my anxiety. In my times of heartbreak I would cry as loud as I needed to.
“Isn’t the ephemeral quality of these places part of what makes them feel so precious? Aren’t city-sanctioned graffiti walls, picnic areas, and skate-parks a little less beloved than their rogue counterparts?”
un comité de citoyens pour naturaliser un champsQui a parlé d’un processus simple et rapide? Le simple fait de vouloir ne nous dirige pas automatiquement vers le but visé. Reste que tout est encore possible…
one sunrise at a timeThis field hasn’t changed much in the nearly 150 years since it was hemmed in by the human activity surrounding it. It may have been razed to the ground repeatedly in that time – to store train cars or materials on it, to park cars on it, to gather wood for bonfires or stoves or [...]
Artemisia vulgaris guards the entryways of this liminal space. Her silvery-grey flowers, the color of moonlight, announce that this is an untamed place, which makes some people uncomfortable as easily as it makes others feel at home. Her home is where the ground is disturbed and the conditions poor. She is a warrior, a city plant, tough and resilient. Her roots reach deep down to nourish the soil of the wild urban core. The heart of the city is where she thrives.
view from the skyA dumpster was placed outside the building, in a little triangular gravel parking lot, just on the other side of the fence from the meadow. All winter long the building’s garbage, piled into large open boxes, was removed by a forklift and emptied by hand into the dumpster below my window. Nothing was bagged.
a railyard, turned meadow…The first railway in Canada opened in 1836 as a portage between the St Lawrence and Richelieu Rivers. By 1859, when the remarkable Victoria Bridge spanned the St Lawrence, the Grand Trunk Railway ran all the way from Portland, Maine on the Atlantic coast, through Sherbrooke to Montreal, and westward to Toronto, Sarnia, and Chicago. [...]
yarrow & mugwortWe have all been gripped by the beauty of our natural world. It is a distinctly powerful feeling, that cannot be elicited by manicured lawns, nor by finely mulched gardens. Instead it is wild places — peacefully left untouched from man’s meddling hands — that have the capacity to stir something deep within our soul.
live diningGuests foraged, cooked, and ate in the field while discussing urban land use, weeds as food and medicine, and alternative agricultural spaces.
age of steam, age of faithThe fact that such a large uncultivated open field exists in the middle of the city is due to the presence of the railroad. The QMO&O Railway was built in 1876, on the same right of way that Canadian Pacific occupies today. The nearby Mile End train station was an important presence from 1878 up to the 1930s.
le carmel de montréal : haut lieu de la spiritualité féminineReprésentantes par excellence des ordres contemplatifs féminins, les Carmélites incarnent pour Montréal une grande tradition occidentale, l’une des rares attaches faisant le lien entre les siècles du Moyen Âge et le nôtre.
urban agriculture around the worldEven in the most densely developed areas of the city there is still unused potential for urban agriculture. Mushrooms can be grown in trays indoors, fish can be raised in tanks, trays of silkworms can provide income, and medicinal herbs can be cultivated in containers and processed in the home.
30 novembre 2008Je pleure parce que cette friche est comme un exutoire de liberté un retranchement reposant, une invitation à une certaine bohème de passage. Cette place c’est la possibilité éternelle. En faire quelque chose c’est tuer cette possibilité.
source de liberté, jeu et créativitéLa pénombre s’installait après qu’un envoûtant coucher de soleil ambré nous ait donné le goût de se promener. On voulait vivre un suspense, effrayer les filles pour qu’elles fassent semblant de chercher notre protection.
what brought me to montreal were its empty lotsWhat brought me to Montreal in 1985 were its empty lots. I used to love walking through them, seeing the flowers, the insects, all of the life that chose to live there. They represented the power of the non-human natural world.
un oasis de verdure au sein d’un décor industrielEntre l’acier, le béton et l’asphalte, se trouve un coin de paradis naturel où la biodiversité urbaine s’épanouit…
artivistic 2007To link environmentalism, indigenous and migrant struggles, and urban practices together through the angle of occupation, Artivisitc 2007 organizers promoted collaborative actions between artists, academics, and activists.
i’ve come here earlyI’ve come here early to collect my thoughts before the group arrives. I’m sitting on a concrete slab, the sort the city puts in places when they don’t want cars to go through a bit of street or parkland.
in the fall we plant bulbsThere are unique opportunities in the quiet spaces left in the wake of industry and in the soil of the city. These spaces are part of the rich boundary zone between built and wild spaces, and Bulbs is an invitation to muck around in them.
how can citizens engage?We’re still working on this chapter. The idea is to provide some ideas about how citizens can get involved in the creating and re-creating of urban spaces. Also to explain what it means for a city to be open and to give some examples that others can build on. For now you can download a [...]









